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Hinterland Collection
Discover this collection of landscapes, painted and carved to capture the layered beauty of the Northern Rivers, translating its rolling forms into richly textured, contemporary small works.
Small Works
This series of painted and carved landscapes pays homage to the rolling expanses of the local hinterland where I live on Bundjalung Country, in the Northern Rivers of NSW. Layers of texture, colour, shape, and mark-making weave together elements of the natural and cultivated land.
26 × 26cm
Acrylic and pencil on carved pine woodblock
Framed in oak | Ready to hang
Free shipping Australia wide.
This series of painted and carved landscapes pays homage to the rolling expanses of the local hinterland where I live on Bundjalung Country, in the Northern Rivers of NSW. Layers of texture, colour, shape, and mark-making weave together elements of the natural and cultivated land.
26 × 26cm
Acrylic and pencil on carved pine woodblock
Framed in oak | Ready to hang
Free shipping Australia wide.
This series of painted and carved landscapes pays homage to the rolling expanses of the local hinterland where I live on Bundjalung Country, in the Northern Rivers of NSW. Layers of texture, colour, shape, and mark-making weave together elements of the natural and cultivated land.
26 × 26cm
Acrylic and pencil on carved pine woodblock
Framed in walnut | Ready to hang
Free shipping Australia wide.
This series of painted and carved landscapes pays homage to the rolling expanses of the local hinterland where I live on Bundjalung Country, in the Northern Rivers of NSW. Layers of texture, colour, shape, and mark-making weave together elements of the natural and cultivated land.
26 × 26cm
Acrylic and pencil on carved pine woodblock
Framed in walnut | Ready to hang
Free shipping Australia wide.
Through What Grows
Mixed media on board framed in oak
43 x 43
Grounded in place, shaped by memory, and imbued with emotion, Northern Rivers artist Rick Carter seeks to create landscapes that are at once deeply personal and quietly universal.
Every Time & Between, Into The Garden I & II
Mixed media on board framed in oak
42 x 42, 22 x 22, 32 x 32
Wattle & Ash II
Mixed media on board
40 × 40
Work
As layers build and shapes are simplified or added they become abstract compositions that suggest more than the original landscape.